Second week
I now have a stonking cold. Again.
Still no national press.
However I noticed we got picked up by the Londonist and the feedback has been really positive from general audience and “theatre practioners”. A massive thank you to all those who have and are supporting me. You know who you are.
At some point, as a writer, you have to ask yourself: why write? Why put on plays? You don’t always get a clear answer but I suppose the answer would NOT be for the national press, so I shouldn’t get too het up. But then again, if the nationals don’t come, who ever knows about the plays you’ve written?
(That’s a bit of a moan, so you don’t have to answer it.)
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About me
I'm a playwright and investment analyst. I have a broad range of interests: food, gardening, innovation & intellectual property, sustainability, architecture & design, writing and the arts. I sit on the board of Talawa Theatre Company and advise a CIS investment trust on socially responsible investments.
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Recent Work
Recent plays include, for theatre: Nakamitsu, Yellow Gentlemen, Lost in Peru, Lemon Love. For radio: Places in Between (R4), Patent Breaking Life Saving (WS).
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Nakamitsu
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Yellow Gentlemen
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