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Gift Giving

Between bouts of bronchitis coughing, I’ve started reading Lewis Hyde’s The Gift which is according to the blurb “a brilliantly argued defence of the importance of creativity in our increasingly money-orientated society”.

Hyde argues that “a work of art is a gift, not a commodity” or, it works in two economies “a market economy” and “a gift economy”.

Art can survive without the market (cave paintings?) but where there is no gift there is no art.

The art that matters to us – moves the heart, or revives the soul, or delights the senses, or offers courage for the living – that art work is received by us, as a gift is received. Even if we have paid a fee at the door, when we are touched by a work of art something comes to us which has nothing to do with the price…

…our sense of harmony can hear the harmonies Mozart heard. We may not have the power to profess our gifts as the artist does, and yet we come to recognise, and in a sense to receive, the endowments of our being through the agency of his creation.”

His book goes on to explore this often through anthropological studies.

He only briefly mentions a few downfalls of gifts: gifts that leave an oppressive sense of obligation, gifts that manipulate or humiliate, the tragedy of the commons (look this up if you haven’t heard of, it’s a good theoretical explanation for why we deplete the seas, for instance)…

This conjures two thoughts in my mind.

Why do characters give what they give in plays? They almost always are trying to do something with their gift, they want something or they are trying to manipulate… if we see someone giving something – we know there is meaning behind it. Occasionally, we know the meaning but the character does not, a form of irony. Some times it is symbolical. Rarely is a major gift meaningless and if it is, often, we are disappointed.

The other thought is this sense of obligation. There was someone I liked a lot once. She told me gift giving for Maoris was reciprocal, if you gave there was a circle so you would give back. For a wonderful period of time, it was a circle of joy. Wild flowers unexpectedly sprinkled in a room begat jelly babies hanging from a door frame begat surprises in your post box but then the weight of life cracked the circle.

I didn’t properly notice (my Dad was dying, so it was a reasonable excuse) and thus the weight of my gifts created an unwanted and unhappy sense of obligation. Or even an unwanted sense of memory.

I think this is one reason ex-lovers find it hard to give each other simple things. All their exchanges are weighted with memory and symbols. The same for story.

comments

One Response to “Gift Giving”

  1. Natalie on February 7th, 2008

    What a lovely and poignant blog Ben.

  • About me

    I'm a playwright and investment analyst. I have a broad range of interests: food, gardening, innovation & intellectual property, sustainability, architecture & design, writing and the arts. I sit on the board of Talawa Theatre Company and advise a CIS investment trust on socially responsible investments.

  • Recent Work

    Recent plays include, for theatre: Nakamitsu, Yellow Gentlemen, Lost in Peru, Lemon Love. For radio: Places in Between (R4), Patent Breaking Life Saving (WS).

  • Nakamitsu

  • Yellow Gentlemen